Lesson 34: Music Censorship 1 / 10
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Music Censorship

Censura Musical
Who Decides What Gets Heard?
¿Quién Decide Lo Que Se Escucha?
Tuesday, April 21, 2026 • General Music • Mr. Mbagwu
Unit 5: Music as Social Commentary – Week 11
← L33: Visual Commentary Reteach

Your Song Just Got Banned

Tu Canción Acaba de Ser Prohibida
04:00

Imagine this: You just finished your social commentary lyrics. You recorded them. They went viral. Then the radio station says: “We can’t play this – it’s too controversial.” Your school says: “You can’t perform this at the talent show.” Your parents say: “Take it down.”

Imagina esto: Acabas de terminar tus letras de comentario social. Las grabaste. Se hicieron virales. Entonces la estación de radio dice: “No podemos tocar esto – es muy controversial.” Tu escuela dice: “No puedes presentar esto en el show de talentos.” Tus padres dicen: “Quítalo.”
DOK 3 – ANALYZE

WRITE: Is anyone WRONG for wanting to silence your song? Who has the RIGHT to decide what music gets heard – and what doesn’t? Share with your neighbor.

I Can…

Yo Puedo…

I can evaluate whether music censorship is justified by analyzing historical case studies and connecting them to my own social commentary lyrics.

Puedo evaluar si la censura musical está justificada analizando casos históricos y conectándolos con mis propias letras de comentario social.

A History of Silenced Music

Una Historia de Música Silenciada
1939

“Strange Fruit” – Billie Holiday

“Strange Fruit” – Billie Holiday

Radio stations REFUSED to play it. The song described lynching. Too graphic, they said. It became the most important protest song of the 20th century.

Las estaciones de radio SE NEGARON a reproducirla. La canción describía linchamientos. Muy gráfica, dijeron. Se convirtió en la canción de protesta más importante del siglo XX.
DOK 2

Was the radio right to ban it?

1985

The PMRC Hearings

Las Audiencias del PMRC

Tipper Gore (VP’s wife) demanded WARNING LABELS on albums. Congress held hearings. Artists like Dee Snider and Frank Zappa testified AGAINST censorship.

Tipper Gore (esposa del Vicepresidente) exigió ETIQUETAS DE ADVERTENCIA en los álbumes. El Congreso celebró audiencias. Artistas como Dee Snider y Frank Zappa testificaron EN CONTRA de la censura.
DOK 2

Who should decide – parents or artists?

1990

2 Live Crew Arrested

2 Live Crew Arrestados

The rap group was ARRESTED for performing their own music in Florida. A judge called it “obscene.” They fought it – and WON in court.

El grupo de rap fue ARRESTADO por interpretar su propia música en Florida. Un juez la llamó “obscena.” Lucharon – y GANARON en la corte.
DOK 3

Should police decide what’s art?

TODAY

Algorithm Censorship

Censura por Algoritmo

TikTok and Spotify algorithms can SUPPRESS songs without telling you. No ban, no label – just invisible. Your song gets zero plays and you never know why.

Los algoritmos de TikTok y Spotify pueden SUPRIMIR canciones sin decirte. Sin prohibición, sin etiqueta – simplemente invisible. Tu canción obtiene cero reproducciones y nunca sabes por qué.
DOK 3

Is invisible censorship MORE dangerous than an outright ban?

When Artists Fight Back

Cuando los Artistas Responden
How Twisted Sister Outclassed Congress (0:00–3:00)

While watching:

Mientras miras:
  • What was Congress trying to DO?
  • How did Dee Snider RESPOND?
  • What was his main ARGUMENT against censorship?
DOK 3 – ANALYZE

After watching: Was Congress protecting children – or controlling artists? Can it be BOTH?

Is Censorship EVER Justified?

¿Está la Censura ALGUNA VEZ Justificada?

SIDE A: YES – Some Music Should Be Restricted

LADO A: SÍ – Alguna Música Debe Ser Restringida

• Explicit content can harm young listeners

• Some lyrics promote violence or hate

• Parents have the right to protect their children

• Platforms have the right to set standards

SIDE B: NO – Music Should NEVER Be Censored

LADO B: NO – La Música NUNCA Debe Ser Censurada

• Art must be free to challenge and provoke

• Censorship silences marginalized voices first

• Who decides what’s “too much”? That power is dangerous

• Warning labels are enough – let people choose

RULES: Listen to finish. Respond to the ARGUMENT, not the person. Use evidence from today’s case studies.

REGLAS: Escucha hasta el final. Responde al ARGUMENTO, no a la persona. Usa evidencia de los casos de estudio de hoy.
DOK 4 – CREATE

Take a position. Defend it using at least ONE case study from today. Then: find ONE point from the OTHER side you actually agree with.

Would YOUR Lyrics Be Censored?

¿Serían Censuradas TUS Letras?

Look at YOUR social commentary lyrics (L29). Answer on paper:

Mira TUS letras de comentario social (L29). Responde en papel:

1. Is there anything in your lyrics that someone might want to censor? What and why?

1. ¿Hay algo en tus letras que alguien podría querer censurar? ¿Qué y por qué?

2. If your song got banned – would that PROVE your message is important, or does it mean you went too far?

2. Si tu canción fuera prohibida – ¿eso PROBARÍA que tu mensaje es importante, o significa que fuiste demasiado lejos?

3. Would you change your lyrics to get played on the radio – or keep them as they are? Why?

3. ¿Cambiarías tus letras para que las pasen en la radio – o las mantendrías como están? ¿Por qué?
DOK 3 – ANALYZE

Share your answer to #2 with your table group. Does your group agree?

Final Verdicts

Veredictos Finales

3 scholars share: Would you change your lyrics or keep them? Why?

3 estudiantes comparten: ¿Cambiarías tus letras o las mantendrías? ¿Por qué?
DOK 4 – EVALUATE

For the class: After everything we discussed today – has your opinion on censorship changed from what you wrote in the Do Now? Raise your hand if YES. If no – why not?

EXIT TICKET 5 Points • Classwork (40%) 03:00
Q1 – The Censorship Test (3 pts)

Pick ONE case study from today (Strange Fruit, PMRC, 2 Live Crew, or algorithm censorship). Was the censorship JUSTIFIED or UNJUSTIFIED? Use at least 2 specific reasons to defend your position.

Elige UN caso de estudio de hoy (Strange Fruit, PMRC, 2 Live Crew, o censura por algoritmo). ¿La censura fue JUSTIFICADA o INJUSTIFICADA? Usa al menos 2 razones específicas para defender tu posición.

1 pt = Names case study • 1 pt = Takes clear position • 1 pt = 2 specific reasons

Q2 – Your Voice (2 pts)

If your social commentary lyrics were banned tomorrow, what would that tell you about the POWER of your words? Would you fight it or rewrite? Explain.

Si tus letras de comentario social fueran prohibidas mañana, ¿qué te diría eso sobre el PODER de tus palabras? ¿Lucharías o reescribirías? Explica.

1 pt = Reflects on power of own lyrics • 1 pt = Takes position with reasoning

📚 Submit on Google Classroom

Tomorrow: Recording Day

Mañana: Día de Grabación
Tomorrow you’ll record your social commentary lyrics on Soundtrap. Voice + optional beat. This is where your words become REAL. Start thinking about HOW you want to deliver them – tone, pace, emotion.
Mañana grabarás tus letras de comentario social en Soundtrap. Voz + pista opcional. Aquí es donde tus palabras se vuelven REALES. Empieza a pensar en CÓMO quieres entregarlas – tono, ritmo, emoción.
“Speak up for those who cannot speak for themselves.”
– Proverbs 31:8
← L33: Visual Commentary Reteach
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